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Rowe Street: Sydney’s Bohemian heartland

Sydney 1926

 

Flappers tapping along on stilt heels: message boys carrying their parcels as blithely as they wear their rakish caps; men of affairs walking by with the sobriety befitting their niche in life; women sauntering idly past….

A primrose path of dalliance, where people loiter by the way to brood over wares which, fascinating as those of an Eastern pettah, beckon from behind shop windows…. The milky sheen of ivory gleaming among the disorder of an art shop, the exquisite example of the dressmaker’s art, lying supinely across a gilded chair, which arouses the worst possible instinct in feminine breasts, the fragrance of massed flowers, the allure of rare books wooing with voiceless magic from behind plate glass—these are some of the temptations lying in wait for the unwary.

— Jessie Urquhart, 1931.

Do you want a messenger boy or a racing tip? An exquisite bibelot, or jazz garters or a jewelled lipstick case? Discreet companionship or entertainment? An elegant chapeaux perhaps, or a brass nymph, or a new play, or purchase of a book in defiance of the Censor’s ban? You should journey to Rowe Street.

Rowe Street is hardly a street at all, but rather a quaint ruelle, a narrow laneway running between Pitt and Castlereagh Streets parallel to Martin Place and proximate to the Hotel Australia. It is a shaded and secluded slice of Bohemia, a world apart, the Beau Brummell of the city, Sydney’s answer to Montmartre.

For fifty years now, Rowe Street has been the centre of Sydney’s bohemian life. Called ‘the most picturesque street in Australia’, its narrow footpaths offer respite from the noise and bustle of the surrounding city. Rowe Street is a place of poets, painters, actors, bohemians and dreamers. It is an arts quarter. It is a gay ghetto. The precinct’s cosmopolitan speciality shops, garret studios and tea rooms offer a brief respite from urban madness.

Down this laneway you will find mix of tiny refreshment rooms, restaurants, tea shops, coffee houses, hairdressers, florists, boutiques, and small art studios and galleries. There are several bookshops and lending libraries (including Sir Owen Aherne’s Wedgetail Press), ballet and tap dancing schools, tailors, bootmakers, a detective agency, the offices of several printers and publishers, antique dealers, importers of fine goods, shoe box theatres and shops selling Parisian hats.

Several bookstores carry discrete stocks of banned Australian and European books in defiance of the Censor. With discretion and a little effort, you might obtain modernist novels, political tracts, erotic fiction or advice on family planning and contraception.

Here too you will find the Fleet Fliers Messenger Service, and Jim de Lac, an SP bookie who operates from the back room of a barber’s shop. Artist Lionel Lindsay keeps a difficult-to-find garret studio.

In from the crowded, noisy streets,
To this thread of thoroughfares.
You feast on windows, fairie-sweet,
New frocks, old, priceless wares….
An Indian scarf, some priceless jade.
Gifts from the ports of Han:
An English Doulton milk-maid pair
A faded print of Pan!
—Mary Roach.

Intriguing stairways lead upward into mystery: a secret society perhaps, or a theatre group’s rehearsal rooms, or the elegant salon of a male milliner.

The great Theatre Royal on Castlereagh and Rowe offers diverse entertainments including dramas, comedy, and musical, and ensures a constant presence of actors, musicians, dancers and those who follow them. Rowe Street also houses the tiny Playbox Theatre, a sparkling-new venue for avant-garde plays.

On the corner of Pitt and Rowe sits Millions House, home to the exclusive Millions Club, a luxurious meeting place for politicians and businessmen. The Club is political in nature, and lobbies on immigration, development and municipal issues. (Its title derives not from its millionaire members but from its original purpose in promoting migration to New South Wales).

Ah, Rowe Street. It might seem that with a few steps you have left this enchanted quarter to fall back into the noise and rush of the inner city. Behind lie those few moments snatched from mundane reality, which offered moments of temptation and wonder.

Rowe-street lives within itself
In an old tale-laden dream.
—J. K. Phillips.

John Hughes

The Ravens

Cecilia Winterbloom was courageous, sharp as a pin, and unwavering in her passion for the truth. We all knew it would end badly.

DAZ Studio and Photoshop. Adapted image is Ahasuerus at the End of the World (1888) by the pre-Symbolist Adolf Hirémy-Hirschl.

“The peace and safety of a new dark age”

 

The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the deadly light into the peace and safety of a new dark age.

H.P. Lovecraft, ‘The Call of Cthulhu’

Created in DAZ Studio and Photoshop.

Waratah Investigates

Waratah was shocked to discover that Colonel Nightshade was more than just an avid stamp collector. DAZ Studio and Photoshop.

Razorhurst

close shave

Razorhurst

Razorhurst

Razorhurst, Gunhurst, Bottlehurst, Dopehurst – it used to be Darlinghurst, one of the finest quarters of a rich and beautiful city; to-day it is a plague-spot, where the sporn of the gutter grow and fatten on official apathy. By day it shelters in its alleys, in its dens, the Underworld people. At night, it looses them to prey on property, decency & virtue, & to fight one another for division of spoils. Truth, 23 September 1928.

Razorhurst, Sydney, 1926. That wild and haunted city. The Turn of Midnight Waters. Rendered in DAZ Studio and Photoshop. Click for full size image.